This article originally appeared in Issue 33:6 (July/Aug 2010) of Fanfare Magazine:
“I think music should be fun, moving, mysterious, beautiful, funny, and frightening. I don’t expect it to be all of those things on the same CD, however. Nevertheless, this CD is all of those things and more. . . “Still Point” is an ecstatic love sonnet, and it demonstrates Dillon’s sensitivity for a sung vocal line. The writing for viola (here realized by Hsin-Yun Huang) and piano (Thomas Sauer) also is highly evocative. . .If you have any interest in contemporary American chamber music, you really should hear Appendage and Other Stories.” --Raymond Tuttle
Classical Voice North Carolina raved about Still Point: “Simpson’s sonnet about the fleet passing of life and time served as the text …The prominent viola part was gorgeous. This was a very successful song.”
From Classical Voice North Carolina:
From Winston-Salem Monthly: Dream Weavers
Here are some reviews from the students who saw the play at their schools:
"I loved the performance of Peril on the Red Planet… because there was a lot of action in the show. I want to see that show again." — Fourth-grade student, White Oak Elementary School, Cape Carteret
"Thank you for the performances you did in our school. I really liked them! I thought that it was funny when the robot was dancing." — Third-grade student, Ward Elementary School, Winston-Salem
"Wow is what I said to my friend. The whole school was talking about your play. Seven days later they’re still talking about it." — Student, Manteo Elementary School
"I love the shows you put on for my school. I really like the scientist who only likes video games!" — Third-grade student, Ward Elementary School, Winston-Salem
" I liked Peril on the Red Planet. It was so good and so funny. The Mars police were so funny that I was laughing. It was the best show I’ve ever seen. I’ve never seen anything like that." — Fourth-grade student, White Oak Elementary School, Cape Carteret
"You are really talented and creative! I liked the costumes. I also liked how still the robot was. Please please come back and perform at our school.” — Third-grade student, Ward Elementary School, Winston-Salem
Shortly after I moved to North Carolina, Carla Finger Coghill, Artistic Director/Choreographer of Sidelong Dance Company, set a dance to the spoken-word text of one of my poems. “In Twinning, poet Shona Simpson read her work from a podium on the stage while [the dancers] performed an engaging reflection on dependency and individuation. At times, they mirrored one another in their movement; at other times, they moved apart. Simpson’s words wove through the movement, and the movement wove through the words--another way of illustrating the theme: When does friendship or a mentor relationship or love help us, and when does it hold us back?” (Winston-Salem Journal, Nov. 11, 2000).